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Gold 1/4 Stater Crescent Scrolls
| Emittent | Iceni tribe (Celtic Britain) |
|---|---|
| Jahr | 40 BC - 35 BC |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 1/4 Stater |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | A stylised Celtic horse prancing to the right occupies the central field, rendered in the characteristic schematic manner of Iceni coinage with elongated limbs and a distinctive arched neck. Above the horse, a large concentric-ring annulet motif with a central pellet is prominently placed. Below and to the left of the horse's body, a dumbbell or wheel symbol with pellets is visible, alongside an additional annulet with a central pellet. Further decorative elements including pellets and a serrated border fringe the lower periphery, and a stylised branch or feather motif appears to the left. The design is entirely aniconic in terms of legend, with no inscription present. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Plain |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
The Iceni occupied what is now Norfolk and Suffolk, and their coinage developed largely in isolation from Continental Gaulish influences — a regional tradition that produced some of the most abstract gold coinage in the ancient world. Quarter staters of this type circulated within the tribe's territory as a medium of elite exchange, likely connected to warrior gift-giving and tribute networks rather than everyday commerce.
No central mint controlled production; individual dies were cut by craftsmen whose work varied considerably, making die-linked specimens useful for reconstructing production sequences.