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| 正面描述 | Highly stylized and degenerate bust derived from the Sasanian royal effigy, facing right, rendered in a schematic Indo-Sasanian artistic tradition. The head is surmounted by a prominent crescent-and-pellet headdress, with the facial features reduced to abstract pellets and curves. A beaded arc frames the left side of the bust, while a series of horizontal bar-and-pellet elements fills the right field, representing a highly conventionalized form of the Sasanian fire altar attendant. The entire design is executed in bold relief with a surrounding border of pellets, characteristic of the Gadhaiya Paisa coinage. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | ND (760-950) |
| 附加信息 |
The Gadhaiya Paisa tradition began as a direct imitation of Sasanian silver drachms — specifically the issues of Khusro II — which had flooded northwestern India through trade and conquest. Over successive generations of copying, the original fire-altar and portrait designs degraded through mechanical repetition into near-abstraction, a process so gradual that no single mint can be credited with the transformation. The Chavadas, ruling Gujarat before their displacement by the Solankis in the mid-10th century, issued these among the most stylistically degenerated of the type.
Billon composition reflects the dynasty's limited access to pure silver rather than a deliberate monetary policy.