Catalogus
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| Uitgever | Monnaie de Paris |
|---|---|
| Jaar | 1822 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Milled (strike) |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | CHRISTIAN FREDERIC CAROLINE AMELIE TIOLIER |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | 1822: ND (1822) |
| Aanvullende informatie |
In 1822, the Danish Crown Prince Frederik (later Frederik VI) and his wife visited Paris, and the Monnaie de Paris struck these copper essai-style pieces as presentation souvenirs of the occasion — a common diplomatic courtesy of the Restoration period. The Mazard and Gadoury references classify it as a medal-coin hybrid, struck on coin dies but distributed as a gift rather than circulated currency.
The Galster reference places it firmly within Danish commemorative numismatics, which is telling: Copenhagen collectors have historically claimed this piece as much as French ones do.