目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | The Virgin Mary (Madonna) enthroned and facing forward, seated on a crescent, holding the Christ Child in her right arm. The composition is flanked on either side by a slender Gothic pillar, lending an architectural framework to the devotional image. Beneath the enthroned figure appears the Jagiellonian eagle of Poland, referencing the dynastic lineage of Vladislaus II. A circular legend in Gothic uncial characters surrounds the entire design. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | x WLADISLAV S x R x VnGARIE x (Translation: Ulászló, King of Hungary) |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Vladislaus II came to the Hungarian throne in 1490 after defeating Matthias Corvinus's illegitimate son János in a succession struggle, and his reign marked a sharp reversal of the centralized fiscal discipline Corvinus had maintained. The Hungarian nobility systematically dismantled royal revenue streams, leaving the crown chronically underfunded — yet the gold florin continued to be struck to consistent fineness, since the Kremnica mint operated under arrangements that made it partially independent of the crown's immediate cash position.
Kremnica's output during this period fed trade networks extending into Ottoman-controlled territory as well as westward into the Habsburg sphere, which would absorb Hungary entirely within decades of this issue's close.