目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Crude depiction of the deity Shiva seated alongside Parvati, both facing forward, rendered in the characteristic granular, highly stylized manner typical of South Indian gold fanams. The figures occupy the entire field, with relief elements formed by irregular pellets and lumps of gold, reflecting the archaic hammered fabric of these diminutive coins. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | Arabic |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Haidar Ali seized effective control of Mysore in 1761 without ever holding the title of raja — he was a military commander who outmaneuvered the Wodeyar dynasty administratively and politically, ruling as de facto sovereign while maintaining a thin fiction of Wodeyar legitimacy. These fanams circulated during his campaigns against the Marathas, the Nizam of Hyderabad, and the British East India Company across all four Anglo-Mysore Wars' predecessor conflicts. The fanam denomination itself had roots in South Indian coinage centuries older than Mysore's regional power.