Katalog
| Emitent | Shiraz, City of |
|---|---|
| Rok | |
| Typ | Standard circulation coin |
| Nominał | 1 Falus (0.2) |
| Waluta | Shahi (1501-1798) |
| Skład | Copper |
| Waga | 18.36 g |
| Średnica | 22 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | Coin alignment ↑↓ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) |
| Opis awersu | |
|---|---|
| Pismo awersu | |
| Legenda awersu | Lion Standing Right (Zodiac symbol for Leo?) |
| Opis rewersu | |
| Pismo rewersu | Arabic |
| Legenda rewersu |
فلوس ضرب شیراز (Translation: Mint of Shiraz) |
| Krawędź | Plained |
| Mennica | |
| Nakład |
ND - - |
| ID Numisquare | 3250353030 |
| Dodatkowe informacje |
Historical Context: This Falus, struck at the Shiraz mint during the Safavid dynasty, represents a crucial element of local commerce. Copper coinage like this falus served as the everyday transactional currency, complementing the higher-value silver and gold issues. Shiraz, a prominent cultural and economic hub in Persia, maintained its own mint, reflecting the decentralized nature of copper currency production within the Safavid Empire. These coins often circulated regionally, facilitating local trade and taxation, and their issuance was frequently tied to the local governor's authority.
Artistry: Safavid copper falus coins, while often lacking the refined artistry of their silver counterparts, typically showcase robust calligraphic designs. The absence of a named engraver is common for these utilitarian issues, which adhered to a general Safavid Persian stylistic school emphasizing legibility and traditional epigraphy. Designs usually feature religious phrases, the mint name, and sometimes a date. The aesthetic tends towards functional elegance, with inscriptions filling the flan, reflecting the prevailing Islamic aniconic tradition in coinage.
Technical/Grading: Struck on a copper flan weighing 18.36 grams and measuring 22 millimeters, this falus exhibits typical Safavid minting practices for copper. These coins were generally hand-struck, often resulting in off-center strikes, weak areas, or double striking. High-points for wear would typically include the central portions of the calligraphy and any raised decorative elements. A well-struck example would display full legends on both sides, with minimal planchet irregularities and a clear, even strike, which is often challenging to find for this denomination.