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| Uitgever | City of Herat (Afghan Cities) |
|---|---|
| Jaar | 1494 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | 3.04 g |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Arabic |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Herat in 1494 was under the control of the Timurid sultan Husayn Bayqara, whose court had become the premier center of Persian literary and artistic culture in the eastern Islamic world — home to Jami, Bihzad, and Alisher Navoi simultaneously. Anonymous copper falus from this city and period were issued by municipal or local commercial authority rather than the sultan's central mint, which explains the absence of a ruler's name. The floral vocabulary on such pieces draws directly from the decorative idiom saturating Herati book arts and tilework of the same decade.