Catalogo
| Emittente | Mardin, Artuqids of |
|---|---|
| Anno | 1152-1176 |
| Tipo | Standard circulation coin |
| Valore | 1 Fals (1⁄60) |
| Valuta | Dinar (1101-1409) |
| Composizione | Copper |
| Peso | 4.29 g |
| Diametro | 18 mm |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i |
| Descrizione del dritto | |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | |
| Scrittura del rovescio | |
| Legenda del rovescio | |
| Bordo | Plain |
| Zecca | |
| Tiratura |
ND (1152-1176) - 547-572 AH (Mardin) - |
| ID Numisquare | 2840579960 |
| Informazioni aggiuntive |
Historical Context: This copper fals was issued by Najm al-Din Alpi, a prominent Artuqid ruler of Mardin, during his reign from 1152 to 1176. The Artuqids, a Turkoman dynasty, controlled key territories in Northern Mesopotamia and Anatolia, navigating complex political landscapes involving the Zengids, Seljuks, and Crusader states. Alpi's rule in Mardin marked a period of relative stability and economic activity, with these copper fals forming the backbone of local commerce. Their widespread use underscores Mardin's economic vitality under Artuqid suzerainty.
Artistry: Artuqid coinage, particularly the copper fals, is celebrated for its distinctive artistic syncretism. While the engraver remains anonymous, the stylistic school blends classical Greco-Roman iconography, Byzantine influences, and Islamic epigraphy. The obverse typically features a prominent figural design—often a bust, full figure, or astrological motif—reinterpreted through a medieval Islamic lens. The reverse consistently bears Kufic or Naskh inscriptions, identifying Najm al-Din Alpi and Mardin as the mint, often with a date.
Technical/Grading: This copper fals, measuring 18mm and weighing 4.29 grams, exhibits characteristics common to medieval hand-struck coinage. High-points for figural types generally include facial features like the nose and chin, or headdress details. For calligraphic designs, the thickest parts of letters or ornamental flourishes would be most susceptible to wear. Technical strike quality varies significantly; some examples are well-centered with sharp details, others show off-center strikes, weak areas, or flan irregularities, inherent to the era's minting process.