Catalogus
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
| Uitgever | Italy |
|---|---|
| Jaar | 1998 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | ECU (1979-1999) |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Detailed architectural view of the Uffizi Gallery in Florence rendered in high relief against a polished gold field, occupying the lower two-thirds of the coin within an oval frame. The upper portion features a deep blue enamelled arc decorated with twelve five-pointed stars arranged in a semicircle, evoking the European Union motif. The legend ITALIA appears in large raised letters across the upper field, set against the blue enamel band. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The ECU — European Currency Unit — was never legal tender in any conventional sense; it existed as a basket currency used for accounting within the European Monetary System from 1979 onward. By 1998, the ECU had less than a year left before being absorbed into the euro at a fixed 1:1 rate, which makes that year's issues something of a deliberate farewell from participating nations. Italy produced several collector pieces in this final window, often tied to cultural institutions as a way of leveraging the format for prestige rather than commerce.