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Échantillon type RAVEL pour le 200 Euros
| Uitgever | Banque de France |
|---|---|
| Jaar | 2001 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Cotton paper |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Plain pink and orange guilloche underprint without a central vignette, serving as the colour trial backing. The diagonal red overprint "NO VALUE" appears across the surface, with the placeholder serial number "000" at lower right. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
This is a Banque de France internal specimen produced to showcase Maurice Ravel as a candidate design for the 200 euro denomination — a proposal that never advanced. The European Central Bank's eventual decision to use anonymous architectural motifs rather than national figures effectively killed every country-specific submission of this kind. France had a strong tradition of honoring composers and artists on its francs, and the Ravel pitch reflects that instinct colliding directly with the ECB's pan-European neutrality policy.
The watermark is the sole documented security feature on this échantillon, consistent with its status as a presentation sample rather than a production-ready proof. Guitou — the pseudonym of designer Guy Georget — had worked on late-series French franc notes before the euro transition made that entire body of work redundant.