目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Veiled bust of Livia, assimilated to Juno Augusta, facing left, draped and wearing a veil over the head, rendered in a dignified and restrained provincial style. The drapery folds are summarily indicated, consistent with the hammered technique of local African mint production. The surrounding legend identifies the issuing city and the divine epithet. The portrait echoes Augustan-era representations of Livia in her role as consort and later deified figure, her features idealized yet recognizable. |
| 背面文字 | Latin |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Thapsus — modern Ras Dimas on the Tunisian coast — was the site of Caesar's decisive 46 BC victory over the Pompeian-Numidian forces, an association that gave the city considerable prestige under the Principate. This local bronze was struck by civic authority during the early reign of Tiberius, almost certainly in connection with the colonial administration of Africa Proconsularis rather than any imperial directive. Provincial civic coinage of this type ceased in the western provinces within a generation; by the Claudian period, local bronze issues from African colonies had largely disappeared in favor of centrally supplied coinage.