目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Standing figure of Hadrian to the right, wearing military attire, extending his right hand in a gesture of greeting or adlocutio and holding a scroll in his left hand. Facing him, the personification of Mauretania stands to the left, her head sometimes crowned with an elephant scalp headdress, offering a patera in her right hand and holding a vexillum (military standard) in her left. Between the two figures stands an altar, at the base of which a bull is frequently depicted, alluding to sacrificial rites associated with the imperial adventus ceremony. The legend encircles the scene, with the senatorial authorization mark S C prominently placed in the lower field. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Hadrian's famous tour of the provinces — conducted in multiple legs between roughly 121 and 134 AD — generated an entire commemorative series celebrating his arrivals in individual regions. The ADVENTVS types were politically deliberate: Hadrian was signaling a break from Trajanic expansionism, positioning himself as an emperor who governed by presence rather than conquest. Mauretania received particular attention given persistent tribal unrest along its frontiers, and his visit there required a military as well as diplomatic response.
The ambiguity between Dupondius and As for this type is unresolved in the literature and turns on individual coin weight, the orichalcum question, and surface corrosion that obscures original alloy color.