| Đơn vị phát hành | Colonia Patricia |
|---|---|
| Năm | 27 BC - 14 AD |
| Loại | Standard circulation coin |
| Mệnh giá | Dupondius (1/8) |
| Tiền tệ | Denarius (49 BC to AD 215) |
| Chất liệu | Bronze |
| Trọng lượng | 22.37 g |
| Đường kính | 34 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | RPC Online I#128, Vives#165-2, GMI#953, NAH#1002, ACIP#3356 |
| Mô tả mặt trước | Bare head of Augustus, left. |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước | PERMISSV CAESARIS AVGVSTI |
| Mô tả mặt sau | Aquila between two signa. |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau | COLONIA PATRICIA |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (27 BC - 14 AD) - - |
| ID Numisquare | 1334887530 |
| Thông tin bổ sung |
Historical Context: This Dupondius was issued by Colonia Patricia (modern Córdoba) during Augustus's reign (27 BC - 14 AD). As the first Roman Emperor, Augustus solidified the Principate, initiating the Pax Romana. Colonia Patricia, a significant Roman colony in Baetica, Hispania, served as a crucial administrative and economic hub. Local coinage reinforced imperial authority, celebrated the colony's status, and facilitated commerce within a rapidly Romanizing region, reflecting Augustan policies' profound impact on the Iberian Peninsula.
Artistry: The engraver of this provincial Dupondius remains anonymous, common for colonial mints. While influenced by classical Augustan style, the artistry often exhibits distinct local interpretation. The obverse typically features a laureate head of Augustus, rendered with varying fidelity. The reverse design frequently depicts symbols pertinent to Colonia Patricia's foundation or prosperity, such as a bull, a plowman, or a temple, embodying the colony's Roman identity and allegiance to the emperor through imperial iconography and local symbolism.
Technical/Grading: Struck on a substantial bronze flan (34mm, 22.37g), this Dupondius offers a broad design canvas. Key high-points for wear on the obverse include Augustus's hair, brow, and nose. On the reverse, highest points depend on the motif, like a bull's head or architectural details. Provincial strikes often show variability in centering and die alignment, with flan irregularities common. A well-preserved example reveals strong details in the portrait and reverse elements, indicative of a fresh die and careful striking.