Catalog
| Issuer | Polish–Lithuanian Commonwealth |
|---|---|
| Year | 1719 |
| Type | Standard circulation coin |
| Value | 1 Ducat |
| Currency | First Zloty (1573-1795) |
| Composition | Gold |
| Weight | |
| Diameter | |
| Thickness | |
| Shape | Round |
| Technique | |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Kop#11126 |
| Obverse description | |
|---|---|
| Obverse script | Latin |
| Obverse lettering | |
| Reverse description | |
| Reverse script | Latin |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
1719 - Kopicki 11126 - |
| Numisquare ID | 1014892890 |
| Additional information |
Historical Context: This 1719 Ducat was issued by August II Mocny (Augustus II the Strong), Elector of Saxony and King of Poland, during a period of complex political maneuvering for the Polish-Lithuanian Commonwealth. Struck at the Drezno mint, it underscores the personal union between Saxony and Poland and August II's efforts to stabilize his authority following the Great Northern War. These issues served as currency and a powerful assertion of his dual sovereignty, reflecting Saxon influence on Polish numismatics.
Artistry: The coin's design exemplifies the High Baroque style prevalent in Saxon court art. Attributed to engravers like Johann Wilhelm Höckner, the obverse typically features a finely rendered, laureate, and armored bust of August II, conveying regal authority. The reverse often displays an elaborate arrangement of the Polish and Lithuanian coats of arms, surmounted by a crown, sometimes incorporating the Saxon electoral shield, all executed with intricate detail and dynamic flair.
Technical/Grading: For optimal grading, collectors should seek strong strikes revealing full detail on the high-points of the obverse, including the laurel wreath, hair, and intricate armor. On the reverse, sharpness in the crown's ornamentation and the fine lines of the heraldic elements are paramount. Drezno mint gold issues generally exhibit good planchet quality and a broad, even strike, though slight softness on the highest relief points is not uncommon due to the depth of the Baroque design.