| 发行方 | Umayyad Caliphate |
|---|---|
| 年份 | 661-752 |
| 类型 | Standard circulation coin |
| 面值 | Drachm (1) |
| 货币 | Drachm (661-750) |
| 材质 | Silver |
| 重量 | 3.19 g |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 |
| 正面描述 | Sassanid bust crowned with a winged helmet right. Marginal inscription in Arabic |
|---|---|
| 正面文字 | |
| 正面铭文 |
(Translation: `Muhammad`) |
| 背面描述 | Zoroastrian altar between two servers, each holding a sword |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (661-752) - - c.700 AD - |
| Numisquare 编号 | 1070547710 |
| 附加信息 |
Historical Context: Muhammad b. Marwan, a pivotal Umayyad general and governor, administered Armenia (Arminiya) from the late 7th to early 8th century, consolidating Islamic rule in the Caucasus. This 'Zuzun' drachm, a local designation for the silver coin, reflects the Umayyad Caliphate's monetary policy in conquered territories. Struck during the transitional phase following the Arab conquests, these coins were essential for economic integration and tax collection, bridging the Sasanian monetary system with emerging Islamic standards, particularly before the widespread aniconic dirham reforms of Abd al-Malik.
Artistry: The artistry of this Arab-Armenian type is characterized by its Sasanian prototypes, typically featuring a stylized bust of a Sasanian king (often Khosrow II) on the obverse and a fire altar with attendants on the reverse. However, these issues are distinguished by the incorporation of Arabic legends, frequently replacing or supplementing the original Pahlavi inscriptions, often in the margins or fields. Engravers for these provincial mints are not individually known; the style reflects a regional adaptation of established Sasanian numismatic traditions under nascent Islamic authority, often showing progressive degeneration from the original Sasanian models.
Technical/Grading: For grading this 'Zuzun' drachm, key high-points include the clarity and detail of the Sasanian-style bust, particularly the crown, facial features, and hair. On the reverse, the definition of the fire altar flames and the attendant figures are crucial. The legibility and completeness of the Arabic legends, often around the margins, are paramount, as these are frequently off-center or weakly struck. A well-centered strike, minimal wear to the central devices, and a clear inscription are highly desirable attributes for specimens of this transitional and regionally significant coinage.