Catalog
| Issuer | Kings of Baktria |
|---|---|
| Year | 90 BC - 75 BC |
| Type | Standard circulation coin |
| Value | Drachm (1) |
| Currency | Drachm (305-15BC) |
| Composition | Silver |
| Weight | 2.32 g |
| Diameter | 15 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Bop#6A , MIG#293 |
| Obverse description | Diademed male head with lappets, to the left. |
|---|---|
| Obverse script | Greek |
| Obverse lettering | |
| Reverse description | Prow with a shield on the side to right, dolphin below. |
| Reverse script | Kharosthi |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (227 BC - 221 BC) - - |
| Numisquare ID | 8785118460 |
| Additional information |
Historical Context: This silver drachm of Heliokles II dates to the tumultuous final decades of Greek rule in Baktria (90-75 BC). Heliokles II, one of the last Indo-Greek kings to hold territory in Baktria proper, reigned during a period of intense fragmentation and pressure from nomadic incursions. His coinage represents the twilight of Hellenistic kingdoms in Central Asia, marking a significant decline from the expansive Baktrian Empire of earlier centuries. Issues like this drachm are crucial for charting the complex political landscape.
Artistry: While specific engravers remain anonymous, the artistry reflects the late Hellenistic provincial style, often exhibiting a noticeable departure from the refined classical forms of earlier Baktrian issues. The obverse typically features a diademed bust of Heliokles II. The reverse commonly depicts a standing deity, such as Zeus or Athena, rendered with less meticulous detail than earlier periods. Despite this, the coins retain a distinctive character, serving as vital cultural artifacts of a fading Hellenic presence.
Technical/Grading: Struck in silver, this drachm weighs 2.32 gg and measures 15 mmmm. Given its late production, strikes can often be somewhat irregular, exhibiting slight off-centring or areas of weakness, particularly on the outer edges of the flan. High-points for the obverse portrait typically include the hair, forehead, and nose, which may show wear first. On the reverse, the deity's head and prominent drapery folds are often the most susceptible to flattening. The small flan size also contributes to a compact design.