カタログ
| 発行体 | Kings of Cappadokia |
|---|---|
| 年号 | 333 BC - 322 BC |
| 種類 | Standard circulation coin |
| 額面 | Drachm (1) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 5.40 g |
| 直径 | 19 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Simonetta#3 Aulock#6256 Copenhagen#629 Greek#3 |
| 表面の説明 | Baal of Gaziura seated left, torso facing, holding grapes, grain ear, and eagle in extended right hand, lotus-tipped scepter in left; B’L GZYR (in Aramaic) to right. |
|---|---|
| 表面の文字体系 | Aramaic |
| 表面の銘文 |
(Translation: Baal-Gazur) |
| 裏面の説明 | Griffin left attacking stag kneeling left; “Ariarathes” (in Aramaic) below. |
| 裏面の文字体系 | Aramaic |
| 裏面の銘文 |
(Translation: Ariarathes) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (333 BC - 322 BC) - - |
| Numisquare ID | 9961162710 |
| 追加情報 |
Historical Context: This silver drachm was issued by Ariarathes I, the first independent king of Cappadocia, during his reign from 333 to 322 BC. This era followed Alexander the Great's death, a period of immense political flux. Ariarathes, a former satrap, established an autonomous kingdom, resisting the encroaching Diadochi. Issuing coinage from Gaziura was a potent symbol of his burgeoning sovereignty and independence from Macedonian control, asserting his authority over the region.
Artistry: While the specific engraver remains anonymous, the coin's artistry reflects the prevailing Hellenistic stylistic school, blending Greek numismatic traditions with local Cappadocian identity. Typical drachm designs feature a prominent ruler's head or revered deity on the obverse, rendered with classical proportions. The reverse often depicts a standing or seated deity, or a symbolic animal relevant to the kingdom, executed with careful attention to form. The overall aesthetic conveyed regal authority and cultural sophistication.
Technical/Grading: Struck in silver, this drachm weighs 5.40 grams and measures 19 millimeters, adhering to the standard Attic weight system. Key high-points susceptible to wear typically include the highest relief elements of the obverse portrait, such as hair or crown, and prominent features on the reverse motif. A well-preserved example exhibits a strong, even strike, good centering of the dies on the flan, and a complete rendering of all design elements, indicating careful minting practices at Gaziura.