Drachm - Ariarathes I

Emittent Kings of Cappadokia
Jahr 331 BC - 322 BC
Typ Standard circulation coin
Nennwert Drachm
Währung Drachm
Material Silver
Gewicht 5.65 g
Durchmesser 20 mm
Dicke
Form Round (irregular)
Prägetechnik Hammered
Ausrichtung
Stempelschneider
Im Umlauf bis
Referenz(en) GCV#3658
Aversbeschreibung Ball of Gaziura seated left, torso facing, holding grapes, ear of corn, eagle and lotus-tipped sceptre; on left, monogram.
Aversschrift Aramaic
Averslegende
(Translation: Baal-Gazur)
Reversbeschreibung Griffin attacking stag kneeling left.
Reversschrift Aramaic
Reverslegende
(Translation: Ariorath)
Rand
Prägestätte
Auflage ND (331 BC - 322 BC) - -
Numisquare-ID 1669745720
Zusätzliche Informationen

Historical Context: Ariarathes I, a Persian satrap of Cappadocia, capitalized on the power vacuum following Alexander the Great's death to assert de facto independence, minting coinage from 331 BC. This drachm, issued between 331 BC and 322 BC, represents his nascent sovereignty during a turbulent period, marking the transition from a Persian province to an autonomous Hellenistic kingdom. Ariarathes I’s coinage served as a crucial tool for legitimizing his rule and establishing the foundation for the subsequent Ariarathid dynasty in Cappadocia.

Artistry: Engraved by anonymous local masters, this drachm reflects an early Hellenistic style, blending late Classical Greek iconography with regional sensibilities. The obverse typically features a classical deity head, often Athena, rendered with robust detail and a dignified expression. The reverse commonly depicts a standing figure, frequently Athena or a similar Greek deity, accompanied by the ruler's name in Greek, "ARIARATHOY." This adoption of Greek numismatic traditions underscores the cultural Hellenization occurring in the region.

Technical/Grading: Struck in silver, this drachm adheres to the Attic weight standard, weighing 5.65 grams and measuring 20 mm in diameter. High points susceptible to wear include the deity's hair and facial features on the obverse, and the drapery folds and extremities of the reverse figure. A well-struck example will exhibit sharp details, particularly in the legend and primary devices, with minimal die wear and good centering, though planchet irregularities are common for issues from this period and region.

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