Drachm - 'Abd Allah b. Khazim Arab-Sasanian

Emissor Umayyad Caliphate
Ano 653-692
Tipo Standard circulation coin
Valor Drachm (1)
Moeda Drachm (661-750)
Composição Silver
Peso 2.96 g
Diâmetro
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação
Gravador(es)
Em circulação até
Referência(s) Val Sn#68
Descrição do anverso
Escrita do anverso
Legenda do anverso
(Translation: APDULA bin AZMAN)
Descrição do reverso
Escrita do reverso
Legenda do reverso
Bordo
Casa da moeda
Tiragem ND (653-690) - W. H. Valentine#68 -
ND (682-692) - -
ID Numisquare 6705820120
Informações adicionais

Historical Context: This Drachm, issued under 'Abd Allah b. Khazim, represents Arab-Sasanian transitional coinage of the early Umayyad Caliphate (653-692 CE). 'Abd Allah b. Khazim was a powerful, semi-autonomous governor of Khurasan, operating on the Islamic empire's eastern frontier. His coinage reflects the pragmatic adaptation of the Sasanian monetary system, demonstrating the gradual consolidation of Islamic authority in Persia and the integration of Arab governance with local traditions before Caliph 'Abd al-Malik's comprehensive monetary reforms.

Artistry: The artistry of this Drachm is characteristic of the Arab-Sasanian stylistic school, likely produced by local Sasanian artisans under Arab supervision. The obverse typically features a modified bust of Sasanian king Khosrau II, a common motif, surrounded by Pahlavi and/or nascent Arabic legends, including 'Abd Allah b. Khazim's name. The reverse displays the traditional Sasanian fire altar flanked by two attendants, often with additional Arabic inscriptions in the margins, signifying new Islamic authority upon Sasanian iconography.

Technical/Grading: Weighing 2.96 grams, this silver Drachm adheres to the Sasanian weight standard. For grading, key high-points include crown details, the bust's facial features, and the altar flame. The legibility of Pahlavi and Arabic inscriptions, especially the mint mark (mm) and date, is paramount. Early Arab-Sasanian strikes often exhibit variability in centering and sharpness, with planchets typically broad and thin. Strong examples show clear legends and well-defined details on both the bust and altar scene.

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