Drachm

İhraççı Larissa
Yıl 356 BC - 342 BC
Tür Standard circulation coin
Değer Drachm (1)
Para birimi Drachm
Bileşim Silver
Ağırlık 6.05 g
Çap
Kalınlık
Şekil Round (irregular)
Teknik Hammered
Yönlendirme
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) BCD Thessaly I#1154
Ön yüz açıklaması Head of the nymph Larissa facing, turned slightly to the left, wearing ampyx, pendant earring, and simple necklace
Ön yüz yazısı
Ön yüz lejandı
Arka yüz açıklaması Horse to right, preparing to roll over
Arka yüz yazısı Greek
Arka yüz lejandı ΛΑΡΙΣ ΑΙΩΝ
Kenar
Darphane
Basma adedi ND (356 BC - 342 BC) - -
Numisquare Kimliği 9687808360
Ek bilgiler

Historical Context: This silver drachm from Larissa dates to 356-342 BC, a pivotal period for Thessaly. Larissa, a leading city in the region, navigated complex political landscapes marked by the influence of powerful families like the Aleuadae and the growing dominance of Philip II of Macedon. These coins served as essential instruments of commerce, reflecting Larissa's economic vitality derived from its fertile plains and renowned horse breeding, and asserting its identity amidst shifting regional power dynamics prior to full Macedonian control.

Artistry: While the engraver remains anonymous, this drachm exemplifies the sophisticated Late Classical Greek style prevalent in Thessaly. The obverse typically features the nymph Larissa, often depicted in a sensitive, naturalistic manner with flowing hair, sometimes adorned with a wreath. The reverse consistently showcases a horse, either prancing or grazing, a powerful emblem of Thessaly's celebrated equestrian heritage and a symbol of the city's wealth and prestige. The execution combines elegance with a dynamic sense of movement.

Technical/Grading: Struck on a substantial 6.05 gram silver flan, typical high-points for this issue include the delicate features of the nymph Larissa, particularly her nose, lips, and individual strands of hair, alongside the musculature and mane of the horse on the reverse. Collectors should seek a well-centered strike, as off-centering is not uncommon. A strong strike ensures full detail on both obverse and reverse, with minimal die wear or flan imperfections, which can often obscure the intricate artistic elements.

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