カタログ
| 発行体 | Kythnos |
|---|---|
| 年号 | 530 BC - 500 BC |
| 種類 | Standard circulation coin |
| 額面 | Drachm (1) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 4.03 g |
| 直径 | 12.0 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered, Incuse |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HGC 6#600 |
| 表面の説明 | Boar’s head facing right |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Rough incuse square |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (530 BC - 500 BC) - - |
| Numisquare ID | 8406345160 |
| 追加情報 |
Historical Context: This silver drachm from Kythnos, dated 530-500 BC, originates from the Archaic period, an era of burgeoning independent Greek city-states. Kythnos, a Cycladic island polis, asserted its economic autonomy and participated in Aegean trade through its own coinage. This currency facilitated commerce and underscored the polis's sovereign identity, reflecting a sophisticated civic administration managing a distinct monetary system amidst growing inter-polis exchange.
Artistry: The drachm's artistry adheres to the Archaic style, with an unnamed engraver, typical for the period. The obverse commonly depicts a stylized head of Persephone, rendered in profile with an almond-shaped eye and elaborate coiffure, embodying early Greek sculptural conventions. This choice often signified local cults. The reverse features the city's monogram, 'K-Y', enclosed within a distinct incuse square, a hallmark of early minting technology preceding fully developed relief reverses. The design prioritizes symbolic clarity over naturalistic detail.
Technical/Grading: This silver drachm, weighing 4.03 grams and measuring 12.0 millimeters, aligns with Archaic drachm standards, albeit on the lighter end. Key high-points susceptible to wear or strike weakness include Persephone's hair, nose, and chin on the obverse, and the monogram's raised elements on the reverse. Archaic minting often resulted in irregular flan shapes and potential off-centering. Strike quality can vary, with peripheral details or the incuse square sometimes incomplete due to uneven hammer blows. Surface preservation and toning are critical grading considerations.