カタログ
| 発行体 | Uncertain Philistian city (Cities of Philistia) |
|---|---|
| 年号 | 450 BC - 333 BC |
| 種類 | Standard circulation coin |
| 額面 | Drachm (1) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 3.62 g |
| 直径 | 15 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered, Incuse |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Gitler&Tal#XIV.28D |
| 表面の説明 | Janiform head of a bearded male to left and a female to right, both diademed. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Owl standing facing, olive sprays flanking; all within circular incuse. |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (450 BC - 333 BC) - - |
| Numisquare ID | 8285107850 |
| 追加情報 |
Historical Context: This silver drachm originates from an uncertain Philistian city, minted during the Achaemenid Persian period (450-333 BC). Philistia, a crucial geopolitical crossroads, operated under Persian suzerainty but maintained significant local autonomy. The emergence of indigenous coinage in this region reflects a vibrant economy and sophisticated trade networks. These issues facilitated both internal commerce and broader international exchange, marking a distinctive phase in regional monetary history prior to the Hellenistic era.
Artistry: The engraver of this drachm is anonymous, typical for Philistian issues. The stylistic school exhibits a compelling synthesis of Attic Greek and local Syro-Palestinian artistic traditions. Philistian coinage is celebrated for its exquisite miniaturization and fine detail, often depicting Attic-inspired iconography like a helmeted head of Athena or an owl on the reverse. The small flan size necessitated remarkable precision, resulting in complex designs that blend foreign influence with regional identity.
Technical/Grading: Weighing 3.62 grams and measuring 15 millimeters, this drachm aligns with the reduced Attic standard common for Philistian issues. Critical high-points for assessing condition include elements like a deity's hair, helmet crest, or animal musculature. Philistian flans were often small and irregular, frequently leading to off-center strikes or partial impressions. A strong, well-centered strike with complete design elements on both sides is paramount, reflecting superior die-work and striking execution.