カタログ
| 発行体 | Gaza |
|---|---|
| 年号 | 400 BC - 300 BC |
| 種類 | Standard circulation coin |
| 額面 | 1 Drachm |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 3.70 g |
| 直径 | 14 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | HGC 10#534, Gitler/Tal#Gaza 10D |
| 表面の説明 | Helmeted head of Athena right. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Owl standing right, head facing, olive spring to left, ΑΘΕ to right, Θ to left. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 |
ΑΘΕ Θ (Translation: Athens.) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (400 BC - 300 BC) - - |
| Numisquare ID | 7581494820 |
| 追加情報 |
Historical Context: This silver drachm from Gaza, 400-300 BC, reflects its role as a vital Philistine coastal city under Achaemenid Persian rule and subsequent Hellenistic influence. Gaza served as a crucial trade hub, linking Egypt, Arabia, and the Levant, necessitating its own coinage. As a prominent regional mint, these issues, often lacking a named ruler, facilitated extensive commerce, embodying the complex political and economic dynamics of the era. The period saw Gaza minting coins that circulated widely, underscoring its strategic and commercial importance in the ancient Near East.
Artistry: The engraver of this drachm is unknown, typical for the period. Artistically, it blends local iconography with strong Attic influences. The obverse typically features a bearded male head, often identified as Zeus or the local deity Dagon, facing right. The reverse commonly depicts an owl standing right, head facing, frequently accompanied by an olive branch or an Aramaic inscription. This design showcases a sophisticated integration of regional identity with classical Greek numismatic conventions, reflecting Gaza's cultural crossroads status and its adoption of widely recognized numismatic motifs.
Technical/Grading: Struck on a 14mm silver flan weighing 3.70 grams, this drachm's technical strike quality varies. High-points for wear include the forehead, nose, and beard on the obverse, and the owl's breast, eyes, and wing feathers on the reverse. Given the small flan and potential for high relief, strikes can show minor weakness or flatness in peripheral details or on the highest points due to uneven pressure. Well-centered examples with sharp details on both sides are highly prized, as they fully reveal the intricate artistry and full ethnic inscription.