Catálogo
| Emissor | Gaza (Cities of Philistia) |
|---|---|
| Ano | 450 BC - 333 BC |
| Tipo | Standard circulation coin |
| Valor | Drachm (1) |
| Moeda | Drachm |
| Composição | Silver |
| Peso | 3.78 g |
| Diâmetro | 15 mm |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered, Incuse |
| Orientação | Variable alignment ↺ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | Gitler&Tal#V.8D , HGC 10#546 |
| Descrição do anverso | Archaic-style laureate bearded male head (Zeus?) right. |
|---|---|
| Escrita do anverso | |
| Legenda do anverso | |
| Descrição do reverso | Falcon standing right; above to left, olive-spray; all within dotted square border within incuse square. |
| Escrita do reverso | |
| Legenda do reverso | |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (450 BC - 333 BC) - - |
| ID Numisquare | 5419942130 |
| Informações adicionais |
Historical Context: This silver drachm originates from Gaza, a pivotal city in the Philistian pentapolis, under Achaemenid Persian rule (450 BC - 333 BC). Strategically located on the coastal road between Egypt and the Levant, Gaza was a crucial administrative and commercial hub. Its coinage facilitated regional trade, paid tribute, and supported mercenaries, reflecting its importance as a nexus of power and commerce in the Persian satrapy of Eber-Nari, prior to Alexander the Great's conquest.
Artistry: The anonymous engraver worked within a stylistic tradition influenced by Early Classical Greek numismatic art, often incorporating local iconographies. Philistian drachms commonly feature a male head, frequently identified as Herakles or the local deity Ba'al-Gaza, on the obverse. The reverse typically displays an owl, a symbol adopted from Athenian prototypes, or a galley, representing Gaza's maritime significance. The execution would exhibit characteristic bold, yet somewhat rigid, forms typical of the era.
Technical/Grading: Struck on a silver flan weighing 3.78 grams and measuring 15 millimeters, this drachm exemplifies ancient hand-striking methods. High-points for typical designs include prominent features of a deity's face—hair, nose, and chin—or the breast and eyes of an owl. Due to manual production, variations in strike centering, die alignment, and flan shape are common. A well-preserved example shows sharp details on these high-points, with minimal die wear and a relatively full strike, despite inherent imperfections.