目录
| 发行方 | Olympia (Elis) |
|---|---|
| 年份 | 500 BC - 460 BC |
| 类型 | Standard circulation coin |
| 面值 | Drachm (1) |
| 货币 | Aeginetic drachm |
| 材质 | Silver |
| 重量 | 5.78 g |
| 直径 | 18 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered, Incuse |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | BCD Olympia#10 , Jameson#2500 , SNG Berry#805 , SNG Delepierre#2020 |
| 正面描述 | Eagle flying left with wings above and below his body, grasping snake in his beak and talons. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Thunderbolt with wings above and volutes below. |
| 背面文字 | Greek |
| 背面铭文 | F A |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (500 BC - 460 BC) - - |
| Numisquare 编号 | 3617274130 |
| 附加信息 |
Historical Context: This drachm originates from Olympia, issued by the Eleans who controlled the panhellenic sanctuary, during the pivotal period of 500-460 BC. This era marked the transition from the Archaic to the Early Classical period in Greece, encompassing the Persian Wars and the rise of Athenian power. Coins from Olympia primarily served the vast influx of visitors, athletes, and dignitaries attending the quadrennial Olympic Games, facilitating commerce and offerings within the sacred precinct and surrounding Elis.
Artistry: The engraver of this piece remains anonymous, characteristic of coinage from this early period. Stylistically, it reflects the nascent Early Classical school, moving beyond the rigid conventions of Archaic art towards greater naturalism. Common designs for Olympia feature the majestic eagle, often clutching a serpent or thunderbolt, symbolizing Zeus, the patron deity of the Olympic Games. The depiction would aim for a powerful yet restrained representation, indicative of the evolving artistic sensibilities.
Technical/Grading: Struck in silver, weighing 5.78 grams and measuring 18 millimeters, this drachm exhibits typical specifications for its type. Key high-points susceptible to wear would include the eagle's head, breast feathers, and wing tips, or for a deity's head, the hair and facial features. Early strikes often display minor flan irregularities or slight off-centering, common for handmade dies and striking methods of the period. Die wear would also contribute to the overall strike quality.