Catalogo
| Emittente | Gaza (Cities of Philistia) |
|---|---|
| Anno | 450 BC - 333 BC |
| Tipo | Standard circulation coin |
| Valore | Drachm (1) |
| Valuta | Drachm |
| Composizione | Silver |
| Peso | 3.65 g |
| Diametro | 16 mm |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered, Incuse |
| Orientamento | Variable alignment ↺ |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | Gitler&Tal#V.6D , HGC 10#545 |
| Descrizione del dritto | Janiform head of bearded male, left, and female, right. |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | Owl standing facing between olive sprays; ` z (in Aramaic) across lower field. |
| Scrittura del rovescio | |
| Legenda del rovescio | |
| Bordo | |
| Zecca | |
| Tiratura |
ND (450 BC - 333 BC) - - |
| ID Numisquare | 2739083640 |
| Informazioni aggiuntive |
Historical Context: This silver drachm from Gaza, a key city in Philistia, was minted during the Achaemenid Persian period (450 BC - 333 BC). Gaza's strategic position on the coastal trade route between Egypt and the Levant made it a vital administrative and commercial hub under Persian suzerainty. Its issuance of coinage, while under imperial oversight, highlights Gaza's significant economic power and a degree of local autonomy, facilitating regional trade. This era concludes dramatically with Alexander the Great's conquest.
Artistry: While specific engravers are unknown, the artistic style of Gaza's coinage reflects a compelling synthesis of cultural influences. It often combines local Philistian or Phoenician traditions with dominant Achaemenid Persian motifs, occasionally incorporating nascent Greek stylistic elements due to trade. The designs generally feature iconography blending regional religious or civic symbols with imperial Achaemenid imagery, reflecting the complex cultural landscape of the eastern Mediterranean during this era.
Technical/Grading: Struck in silver, weighing 3.65 grams and 16 millimeters in diameter, this drachm adheres to regional monetary standards. As a hand-struck ancient coin, examples typically show variations in strike quality, including potential off-centering, irregular flan shapes, and uneven pressure affecting design clarity. High-points, such as the highest relief areas of any central figure or animal features, are particularly susceptible to wear. Careful examination of these areas is crucial for accurate grading, alongside assessment of overall planchet integrity and die state.