Drachm

Emisor Larissa
Año 356 BC - 342 BC
Tipo Standard circulation coin
Valor Drachm (1)
Moneda Drachm
Composición Silver
Peso 6.19 g
Diámetro
Grosor
Forma Round (irregular)
Técnica Hammered
Orientación
Grabador(es)
En circulación hasta
Referencia(s)
Descripción del anverso Head of the nymph Larissa facing, turned slightly to left, wearing ampyx, triple-pendant earring and necklace
Escritura del anverso
Leyenda del anverso
Descripción del reverso Horse grazing to left
Escritura del reverso Greek
Leyenda del reverso ΛΑΡΙΣ ΑΙΩΝ
Canto
Casa de moneda
Tirada ND (356 BC - 342 BC) - -
ID de Numisquare 1040820480
Información adicional

Historical Context: This silver Drachm from Larissa, 356-342 BC, reflects a pivotal era in Thessalian history. Larissa, a leading city, maintained significant regional influence, famed for its fertile lands and horse breeding. This period coincided with the rising power of Philip II of Macedon, whose expansionist policies increasingly impacted Thessaly. Larissa's coinage thus underscores its economic resilience and civic identity, representing a critical phase before Macedonian hegemony solidified over mainland Greece.

Artistry: The Drachm's artistic execution exemplifies the late Classical Greek stylistic school, known for its refined naturalism. While the engraver is anonymous, the artistry is sophisticated. The obverse typically features a masterful, nearly frontal depiction of the nymph Larissa, her hair flowing, personifying the city's namesake spring. The reverse often presents a spirited horse or horseman, a direct homage to Thessaly's renowned equestrian tradition, rendered with dynamic movement and anatomical precision characteristic of the period.

Technical/Grading: Technically, strike quality for these Larissa Drachms varies. High-points for wear or strike weakness on the obverse include the hair above the nymph's forehead and her nose. On the reverse, the horse's mane, musculature, and rider's head are often flat. Well-struck examples display sharp details on both sides, typically on broad, slightly irregular flans. Centering is generally good, ensuring the full design. Surface preservation, including attractive toning, is crucial for assessing overall grade.

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