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| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A plain cross set within a quatrefoil frame, with annulets placed in the angles of the cross within the quatrefoil lobes. The design is enclosed by a beaded inner circle. A circular legend in Gothic uncial lettering surrounds the outer field, identifying the denomination and the mint of Tours. The composition reflects the standard Double Tournois type of the French royal series. |
| 背面文字 | Latin (uncial) |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Louis XI's first coinage reform came almost immediately after his accession in August 1461, partly as a repudiation of his father Charles VII's monetary arrangements — a pattern consistent with his broader political instincts. The annulet privy marks on this issue serve as die-control points that help numismatists attribute pieces to specific mints, several of which were operating under royal license rather than direct crown administration at this date.
Billon coinage of this fineness was chronically unpopular with merchants, who understood exactly what .159 silver implied about intrinsic value.