Katalog
| Emitent | Ghaznavid dynasty |
|---|---|
| Rok | 1051-1099 |
| Typ | Standard circulation coin |
| Nominał | Dirham (0.7) |
| Waluta | Dinar (977-1186) |
| Skład | Silver |
| Waga | 2.93 g |
| Średnica | 17.5 mm |
| Grubość | 1 mm |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | Coin alignment ↑↓ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | Album Islamic#1641 |
| Opis awersu | Five line inscription. |
|---|---|
| Pismo awersu | Persian |
| Legenda awersu | |
| Opis rewersu | Five line inscriuption. |
| Pismo rewersu | Persian |
| Legenda rewersu | |
| Krawędź | |
| Mennica | |
| Nakład |
ND (1051-1099) - - |
| ID Numisquare | 4997223640 |
| Dodatkowe informacje |
Historical Context: This silver dirham, designated 'qarari', was issued during Sultan Ibrahim's reign (1051-1099) of the Ghaznavid dynasty. Ibrahim inherited an empire significantly reduced by Seljuk incursions but proved pivotal, stabilizing Ghaznavid authority in Afghanistan and Punjab. His reign marked consolidation, piety, and cultural patronage, solidifying remaining territories and continuing Indian expansion. The 'qarari' appellation might signify a period of stability or a specific issue type reflecting renewed Ghaznavid strength and internal order.
Artistry: Following established Islamic numismatic traditions, this dirham's artistry is primarily epigraphic. Engravers were typically anonymous; the design featured standard religious declarations (Kalima) and the ruler's name/titles, likely in refined Kufic script. Ghaznavid coinage maintained high calligraphic execution, emphasizing clarity and aesthetic balance. The `qarari` designation could imply a particular artistic or quality standard.
Technical/Grading: This silver dirham weighs 2.93 grams and measures 17.5 millimeters, aligning with typical late Ghaznavid silver coinage specifications. High-points susceptible to wear include central inscriptions, particularly the ruler's name and mint/date details. Technical strike qualities vary; examples often display minor off-centering or areas of weakness, especially towards flan edges, due to contemporary striking methods. Well-struck specimens exhibit crisp, legible calligraphy.