Katalog
| Emitent | Ghaznavid dynasty |
|---|---|
| Rok | 1030-1041 |
| Typ | Standard circulation coin |
| Nominał | Dirham (0.7) |
| Waluta | Dinar (977-1186) |
| Skład | Silver |
| Waga | 3.28 g |
| Średnica | 21 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) |
| Opis awersu | Arabic script |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Arabic script |
| Pismo rewersu | |
| Legenda rewersu | |
| Krawędź | |
| Mennica | |
| Nakład |
ND (1030-1041) - - |
| ID Numisquare | 2889928460 |
| Dodatkowe informacje |
Historical Context: This silver dirham originates from the reign of Mas'ud I (1030-1041 CE), a pivotal Ghaznavid sultan. Inheriting a vast empire, Mas'ud initially consolidated power, extending influence across Persia and Northern India. His reign, however, also marked a critical turning point, culminating in the decisive Battle of Dandanaqan (1040 CE), where the Ghaznavids lost significant western territories to the Seljuks. This coinage thus reflects the empire at its zenith and during its subsequent contraction.
Artistry: Consistent with Islamic numismatic traditions, the engraver remains anonymous, with artistry focused on calligraphic excellence. The design adheres to the established epigraphic school, featuring elegant Kufic script. The obverse typically displays the Kalima (Shahada), often with mint and date. The reverse usually presents a Quranic verse, commonly Sura 9:33, alongside Mas'ud I's regal titles and the Abbasid Caliph's name, asserting religious legitimacy and political sovereignty through meticulously rendered text.
Technical/Grading: This dirham, weighing 3.28 grams and measuring 21 millimeters, conforms to standard Ghaznavid silver specifications. High-points for wear are typically the raised elements of the Kufic script, especially central legends and longer ascenders. Technical strike quality varies; well-struck examples exhibit full, clear legends on both sides, good centering, and a regular flan. Minor off-center strikes or slight flan irregularities are common due to manual striking, but a strong strike reveals the full calligraphic intent.