カタログ
| 発行体 | Ghaznavid dynasty |
|---|---|
| 年号 | 1048-1051 |
| 種類 | Standard circulation coin |
| 額面 | Dirham (0.7) |
| 通貨 | Dinar (977-1186) |
| 材質 | Silver |
| 重量 | 3.35 g |
| 直径 | 18 mm |
| 厚さ | 1.75 mm |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 |
| 表面の説明 | Script Arabic |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Script Arabic |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
440 (1048) - - 443 (1051) - - |
| Numisquare ID | 5349545650 |
| 追加情報 |
Historical Context: This silver dirham, issued by the Ghaznavid dynasty between 1048 and 1051, pertains to the brief and tumultuous reign of Sultan 'Abd al-Rashid. A grandson of Mahmud of Ghazni, his rule occurred during a period of significant decline for the Ghaznavids following their defeat by the Seljuks at Dandanqan in 1040. 'Abd al-Rashid struggled to reassert authority amidst internal strife. This coin thus serves as a tangible artifact from a dynasty in retreat, grappling with its lost glory and territories.
Artistry: Characteristic of Islamic coinage from this era, the dirham's artistry is primarily epigraphic. While the specific engraver is not recorded, the design adheres to the prevailing Kufic stylistic school, emphasizing the beauty and clarity of Arabic calligraphy. The obverse typically features the Kalima (Shahada), while the reverse displays the ruler's name, titles, mint, and date, often complemented by Quranic verses. This aniconic design strategy conveyed religious piety and political legitimacy through rendered script.
Technical/Grading: Struck in silver, weighing 3.35 grams and measuring 18 millimeters, this dirham's technical qualities are typical for the period. High-points for preservation and grading include the crispness and completeness of the central legends, particularly the Kalima and the sultan's name. Marginal legends, containing mint and date, are often more susceptible to weak strikes or flan irregularities. A well-struck example exhibits clear, well-formed letters across the entire flan, with minimal evidence of double striking or off-centering.