目录
| 发行方 | Rubi |
|---|---|
| 年份 | 325 BC - 275 BC |
| 类型 | Standard circulation coin |
| 面值 | Diobol (⅓) |
| 货币 | Drachm |
| 材质 | Silver |
| 重量 | 1.02 g |
| 直径 | 12 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | HN Italy#808 , SNG ANS 1#717 France#1380-1381 , SNG Delepierre#184 , SNG Copenhagen#670 |
| 正面描述 | Head of Athena wearing Corinthian helmet right. |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Ear of barley, cornucopia right. |
| 背面文字 | Greek |
| 背面铭文 | ΣΙ PY |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (325 BC - 275 BC) - - |
| Numisquare 编号 | 9458141460 |
| 附加信息 |
Historical Context: Rubi, an ancient Peucetian city in Apulia, Magna Graecia, issued this silver diobol between 325 BC and 275 BC. This period marks a tumultuous era in Southern Italy, characterized by the waning influence of independent Greek city-states and the burgeoning power of Rome. Rubi's coinage reflects its economic vitality and cultural autonomy within a complex geopolitical landscape, navigating interactions with neighboring Italic tribes and the broader Hellenistic world. The issuance of this small denomination underscores local commercial activity and the city's continued participation in the vibrant Hellenistic economy.
Artistry: The artistic execution of this diobol, while lacking a known engraver, firmly aligns with the Hellenistic stylistic school prevalent in Magna Graecia. Coinage from Rubi often features sophisticated Greek iconography, such as the head of Athena or Herakles on the obverse, rendered with naturalism. The reverse typically displays an owl or other local symbols, accompanied by the ethnic inscription "RYBA". Despite its diminutive 12-millimeter size, this coin presented a miniature canvas for skilled die-engravers, showcasing the artistic conventions and civic affiliations of the city-state.
Technical/Grading: Weighing 1.02 grams and struck in silver, this diobol represents a standard fractional denomination. For grading, key high-points include the highest relief areas of the obverse deity's coiffure or headwear, and the central elements of the reverse device. Technical strike qualities often vary on small flans; while dies were expertly cut, issues like off-centering, incomplete strikes, or minor planchet irregularities are common. A well-struck example exhibits full details, good centering, and minimal flan defects, indicating careful production.