Dinar - Stefan Uros II Milutin

Emitent Serbia (medieval)
Rok 1282-1321
Typ Standard circulation coin
Nominał 1 Dinar
Waluta Dinar (1217-1459)
Skład Silver
Waga 2 g
Średnica 20 mm
Grubość
Kształt Round (irregular)
Technika Hammered
Orientacja Variable alignment ↺
Rytownik(zy)
W obiegu do
Źródło(a) Jovanovic#7.17
Opis awersu King seated on throne facing, holding cross tipped scepter in right hand, and sword across lap.
Pismo awersu Latin (uncial)
Legenda awersu MONETA REGIS STEFANI
(Translation: Coin of King Stephen)
Opis rewersu Jesus Christ seated upon throne, right hand raised in blessing, halo flanked by lettering.
Pismo rewersu Latin (uncial)
Legenda rewersu IC XC
(Translation: Jesus Christ)
Krawędź
Mennica
Nakład ND (1282-1321) - -
ID Numisquare 5366445860
Dodatkowe informacje

Historical Context: This Dinar, issued under Stefan Uros II Milutin (1282-1321), marks a golden age for medieval Serbia. Milutin significantly expanded Serbian territory and influence, consolidating a powerful Balkan empire. His reign fostered economic prosperity and cultural development, including extensive church building. This coinage served as a critical instrument of state sovereignty and economic exchange, reflecting Serbia's growing stature and integration into wider European trade networks.

Artistry: While specific engravers are unknown, the stylistic school of this Dinar is deeply rooted in Byzantine traditions, adapted to express Serbian imperial ideology. The design typically features Christ Pantocrator enthroned on the obverse, symbolizing divine legitimacy. The reverse commonly depicts King Milutin himself, either enthroned or standing, often alongside Saint Stephen, the patron saint. This iconography powerfully conveyed the king's authority and sacred connection to the Serbian state.

Technical/Grading: Struck in silver, weighing approximately 2 grams and measuring 20 millimeters, this coin adheres to the prevalent Venetian grosso standard. As a hammered issue, strike quality varies considerably; common technical aspects include off-center strikes, areas of weak impression, and irregular flan shapes. Key high-points prone to wear or weak strike often include the facial features of Christ and Milutin, details of their drapery, and the surrounding legends. A well-centered example with clear details on both figures and legible legends is highly desirable.

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