Katalog
| Emitent | Prilep, Lordship of |
|---|---|
| Rok | 1371-1395 |
| Typ | Standard circulation coin |
| Hodnota | 1 Dinar |
| Měna | Dinar (1371-1395) |
| Složení | Silver |
| Hmotnost | 0.8 g |
| Průměr | 17 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | |
| Rytci | |
| V oběhu do | |
| Reference |
| Popis líce | Front-facing Christ Pantokrator with nimbus, sitting on throne. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Inscription in five lines. |
| Písmo rubu | |
| Opis rubu | |
| Hrana | |
| Mincovna | |
| Náklad |
ND (1371-1395) - - |
| ID Numisquare | 3761144740 |
| Další informace |
Historical Context: Issued by the Lordship of Prilep (1371-1395), this silver dinar belongs to Prince Marko Mrnjavčević, Kraljević Marko. This era followed the disastrous 1371 Battle of Maritsa, leading to the collapse of Serbian imperial power and the rise of Ottoman suzerainty over fragmented Balkan states. Marko, an Ottoman vassal, maintained local authority. His coinage signifies Prilep's economic autonomy and continued statehood amidst increasing external pressures, marking a critical period of transition for the region.
Artistry: The engraver remains anonymous, but this dinar's artistry reflects prevailing Byzantine stylistic traditions common in medieval Balkan numismatics. The obverse typically features Saint Demetrius, a revered military saint, standing or enthroned. The reverse often portrays Prince Marko, sometimes on horseback or standing, accompanied by Cyrillic inscriptions detailing his title. This design prioritizes symbolic representation over naturalistic detail, a hallmark of the era's religious and regal iconography.
Technical/Grading: Struck from 0.8 grams of silver, 17 millimeters in diameter, this dinar exhibits typical medieval production characteristics. High-points susceptible to wear include the saint's facial features, drapery, and the ruler's crown or helmet. Technical strike quality is often inconsistent; off-center strikes, planchet irregularities, and weak areas, particularly on edges, are common. A well-struck example will show clear details in inscriptions and primary figures, with minimal flattening on highest relief elements.