目录
| 发行方 | Syracuse |
|---|---|
| 年份 | 510 BC - 490 BC |
| 类型 | Standard circulation coin |
| 面值 | Didrachm (10) |
| 货币 | Litra |
| 材质 | Silver |
| 重量 | 8.45 g |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered, Incuse |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Boehringer#32, Jameson#1904, Kraay&Hirm#73 |
| 正面描述 | Horse rider advancing right, holding a second horse, by the reins, on the far side of him. |
|---|---|
| 正面文字 | Greek |
| 正面铭文 | SVRAO – SI – ON |
| 背面描述 | Head of the nymph Arethusa left, hair curling back from forehead with dotted parallel lines, within circle sunk at centre of a swastika developed from the quartering of an incuse square. |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (510 BC - 490 BC) - - |
| Numisquare 编号 | 5299339270 |
| 附加信息 |
Historical Context: This Didrachm, issued by Syracuse between 510 and 490 BC, represents the city's flourishing during the late Archaic period. It was minted under the oligarchic rule of the Gamoroi, the powerful landed aristocracy who controlled Syracuse prior to the rise of the Deinomenid tyrants. This coinage signifies Syracuse's growing economic prosperity and political autonomy, establishing a foundational numismatic tradition that would continue for centuries. The production of such substantial silver coinage underscored the city's strategic importance in Magna Graecia.
Artistry: The engravers of this period remain anonymous, yet their work exemplifies the Archaic Greek style. The obverse features a dynamic quadriga, a four-horse chariot, driven by a charioteer. While stylized, the horses exhibit a nascent sense of movement, characteristic of the era's artistic progression. The reverse typically presents a quadripartite incuse square, often containing a small central device such as a head of Arethusa, reflecting early minting techniques and a nascent iconographic development.
Technical/Grading: Struck in silver at a standard weight of 8.45 grams, this Didrachm's technical execution varies. Key high-points for evaluation include the horses' heads, manes, and legs on the obverse, and the definition of the central device and the incuse square on the reverse. Early archaic strikes can exhibit some irregularity in centering and consistency. A well-preserved example will show clear detail on the horses and charioteer, with a sharp impression of the incuse square, reflecting the robust fabric of the period.