Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis of registreer met e-mail

Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!

Didrachm - Damoxenos

Uitgever Kos
Jaar 285 BC - 258 BC
Type Log in om details te zien
Waarde Didrachm (2)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde A crab, the civic emblem of Kos, depicted frontally in the centre of the field with claws extended symmetrically to either side and legs spread wide, rendered in fine detail. The design is framed by a rectangular border of dots enclosing the main device. Above the crab, the ethnic legend ΚΩΙΟΝ is inscribed, and below, the magistrate's name ΔΑΜΟΞΕΝΟΣ appears, both in archaic Greek characters. A horizontal bar or exergual line separates the crab from the lower inscription.
Schrift keerzijde Greek
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Kos operated under Ptolemaic influence through much of this period, and the island's coinage reflects a mint navigating carefully between Aegean commercial networks and Egyptian political oversight. The Damoxenos issues are magistrate-signed coins — the name denoting the responsible official rather than an artist — a practice that makes die-linked sequences across the series traceable with unusual precision. Variants recorded in the Weber and Lockett collections differ primarily in the arrangement of subsidiary symbols, suggesting multiple working dies cut across a relatively short production window.

MISSCHIEN OOK INTERESSANT