Katalog
| Emitent | Chios |
|---|---|
| Rok | 490 BC - 435 BC |
| Typ | Standard circulation coin |
| Hodnota | 2 Drachms |
| Měna | Drachm |
| Složení | Silver |
| Hmotnost | 7.76 g |
| Průměr | 15.0 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered, Incuse |
| Orientace | |
| Rytci | |
| V oběhu do | |
| Reference | HGC 6#1118, Mavrogordato#16 |
| Popis líce | Sphinx seated left. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Quadripartite incuse square. |
| Písmo rubu | |
| Opis rubu | |
| Hrana | |
| Mincovna | |
| Náklad |
ND (490 BC - 435 BC) - - |
| ID Numisquare | 8850742420 |
| Další informace |
Historical Context: This silver didrachm was issued by the prosperous island polis of Chios during the Early Classical period, spanning from the aftermath of the Persian Wars to the eve of the Peloponnesian War. Chios, a significant maritime power renowned for its wine and strategic location, maintained considerable autonomy despite its membership in the Delian League under Athenian hegemony. The coinage reflects Chios's economic vitality and its independent cultural identity, asserting its sovereignty through its distinct numismatic types amidst the shifting political landscape of the Aegean.
Artistry: The design of this didrachm exemplifies the nascent stages of Early Classical Greek numismatic art. While the specific engraver remains anonymous, the artistry aligns with the stylistic trends of the era, transitioning from archaic rigidity towards greater naturalism. The obverse features the iconic Chian Sphinx, typically depicted seated, often accompanied by a small amphora or grape bunch, symbolizing the island's renowned viticulture. The reverse employs a functional quadripartite incuse square, a common striking method of the period, which occasionally contains a control mark or a miniature symbol.
Technical/Grading: Struck on a relatively compact silver flan weighing 7.76 grams and measuring 15.0 mm, this didrachm adheres to a local weight standard. High-points susceptible to wear on the obverse include the Sphinx's facial features, chest, and the musculature of its forelegs. Technical strike qualities often vary; early Greek issues frequently exhibit minor off-centring or uneven striking pressure, which can affect the completeness of the Sphinx's details or the uniformity of the incuse reverse. Flan irregularities are also common, reflecting the hand-struck nature of its production.