Katalog
| İhraççı | Eryx |
|---|---|
| Yıl | 420 BC - 416 BC |
| Tür | Standard circulation coin |
| Değer | Didrachm (10) |
| Para birimi | Litra |
| Bileşim | Silver |
| Ağırlık | 8.48 g |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Jameson#566, Campana#22, McClean#2235, SNG Lockett#747 |
| Ön yüz açıklaması | Hunting dog `Cirneco of the Etna` standing right; behind, three stalks of barley. Below, in oblong frame, IRVKAZIB. |
|---|---|
| Ön yüz yazısı | Greek |
| Ön yüz lejandı | IRVKAZIB |
| Arka yüz açıklaması | Head of Aphrodite (?) right. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (420 BC - 416 BC) - - |
| Numisquare Kimliği | 1629741360 |
| Ek bilgiler |
Historical Context: This silver didrachm was issued by Eryx in Western Sicily between 420 and 416 BC, a critical juncture in the Late Classical period. Strategically located, Eryx navigated complex geopolitical currents, influenced by both Greek and Punic powers. The minting of such substantial silver coinage reflects a period of economic autonomy and regional significance, indicating active participation in broader Mediterranean trade. This era preceded intense Carthaginian expansion, allowing cities like Eryx a window of independent prosperity.
Artistry: While no specific engraver is attributed, the coin exemplifies the renowned artistic excellence of Sicilian numismatics during the Late Classical period. The stylistic school is characterized by refined naturalism, showcasing intricate detailing and graceful forms typical of the finest Greek artistry. Common designs for Eryx didrachms feature the local patron deity, Aphrodite Erycina, perhaps as a majestic head or full figure, often accompanied by an eagle or dog, reflecting the city's unique cultic traditions.
Technical/Grading: Weighing 8.48 grams, this didrachm adheres to the established Sicilian silver standard. Key high-points susceptible to wear typically include the hair and facial features of the obverse deity, or prominent musculature and drapery folds on any figural representation. On the reverse, high relief points would be found on animal forms or scene elements. A well-struck example exhibits sharp detail, minimal die wear, and good centering on a well-prepared flan, preserving the die engraver's full artistic intent.