Catalogue
| Émetteur | Sion, Bishopric of |
|---|---|
| Année | 1496-1497 |
| Type | Standard circulation coin |
| Valeur | 1 Dicken (1/4) |
| Devise | Thaler (1475-1780) |
| Composition | Silver |
| Poids | 9.5 g |
| Diamètre | 29 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | HMZ 1#2-1013 |
| Description de l’avers | Shield with crown in center of cross. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | NICO SDNP VICA` E`EL`SI |
| Description du revers | Full length saint standing holding sword and crozier gazing at demon holding bell at right. |
| Écriture du revers | |
| Légende du revers | S·THEODOLVS EPS: SEDVN |
| Tranche | |
| Atelier | |
| Tirage |
ND (1496-1497) - - |
| ID Numisquare | 8693818390 |
| Informations supplémentaires |
Historical Context: This Dicken, issued by the Bishopric of Sion between 1496 and 1497, reflects a pivotal era under Bishop Niklaus Schiner. Schiner was a formidable political and ecclesiastical figure, deeply involved in the complex power dynamics of late 15th-century Valais, navigating relations with the Swiss Confederacy and Savoy. This substantial silver denomination underscored the bishopric's economic autonomy and the prelate's temporal authority, highlighting the region's strategic importance within the Holy Roman Empire.
Artistry: The artistic execution of this Dicken embodies the prevailing Late Gothic style, transitioning towards early Renaissance influences, characteristic of regional Swiss numismatic art. While the engraver is anonymous, the design typically features Bishop Schiner's bust or armorial bearings on the obverse, accompanied by his name and titles. The reverse commonly displays a religious motif, such as Saint Theodul, Sion's patron, or a prominent cross, encircled by the mint's name or a pious inscription, conveying the coin's dual secular and spiritual messaging.
Technical/Grading: For optimal grading, examine high-points like the bishop's facial features, mitre, and vestment folds on the obverse. On the reverse, critical areas include the saint's figure or the cross's central design. Technical strike qualities vary; early strikes often show sharper detail and some residual planchet luster. Irregularities in planchet shape and minor off-centering are common for this era, and die wear can impact the crispness of later strikes.