目录
| 发行方 | Adiabene, Kingdom of |
|---|---|
| 年份 | 160 BC |
| 类型 | Standard circulation coin |
| 面值 | Dichalkon (1⁄24) |
| 货币 | Drachm |
| 材质 | Bronze |
| 重量 | 3.25 g |
| 直径 | 14 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 |
| 正面描述 | Draped bust of Abdissares to right, wearing bashlyk with fanion and lappets folded up and tied with a diadem |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Eagle standing right with closed wings |
| 背面文字 | |
| 背面铭文 | BAΣIΛEΩΣ - [A]BΔIΣΣAPO[Y] |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (-160) - - |
| Numisquare 编号 | 6154114520 |
| 附加信息 |
Historical Context: This Dichalkon, issued by Abdissares around 160 BC, offers a tangible link to the Kingdom of Adiabene during a complex geopolitical era. Situated between the declining Seleucid Empire and the rising Parthian power, Adiabene often navigated a delicate path of semi-autonomy. Abdissares, whose name reflects the region's Semitic heritage, likely ruled during a period of increasing Parthian influence, yet the issuance of independent coinage underscores a continued assertion of sovereignty and local economic control, vital for administrative and military functions within the kingdom.
Artistry: While the specific engraver remains anonymous, this Dichalkon exemplifies a provincial interpretation of Hellenistic numismatic artistry prevalent in the Near East. The obverse typically features a diademed portrait of Abdissares, rendered with a degree of naturalism characteristic of the broader Seleucid tradition, albeit with potential local stylistic nuances. The reverse design, often depicting a symbol of local significance or a Greek deity, would be executed in a somewhat simplified manner, suitable for the smaller flan and bronze medium, yet still conveying clear iconography.
Technical/Grading: Struck on a bronze flan weighing 3.25 grams and measuring 14 millimeters, the technical execution of this Dichalkon varies. High points on the obverse portrait would include the hair, diadem, and prominent facial features such as the nose and chin. The strike quality can range from well-centered and sharp to somewhat off-center or weakly struck, particularly on the edges, a common characteristic for bronze issues of this period. Die wear, evident in softer details, is also frequently observed, reflecting prolonged use of the dies.