Catalogue
| Émetteur | Pharsalos |
|---|---|
| Année | 400 BC - 375 BC |
| Type | Standard circulation coin |
| Valeur | Dichalkon (1⁄24) |
| Devise | Drachm |
| Composition | Bronze |
| Poids | 4.58 g |
| Diamètre | 18.0 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | BCD Thessaly I#1295, Rogers#508, Lavva#347 |
| Description de l’avers | Helmeted head of Athena Parthenos facing, turned slightly to the right |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Armored Thessalian horseman riding right, brandishing flail; behind him, soldier walking right with staff over his shoulder |
| Écriture du revers | Greek |
| Légende du revers | Φ Α Ρ |
| Tranche | |
| Atelier | |
| Tirage |
ND (400 BC - 375 BC) - - |
| ID Numisquare | 8136977170 |
| Informations supplémentaires |
Historical Context: This Dichalkon was issued by Pharsalos in Thessaly between 400 and 375 BC, a period of significant political flux. Pharsalos, renowned for its formidable cavalry, navigated shifting alliances, often contending with the rising power of Pherae. Bronze coinage, alongside silver, facilitated daily commerce and local transactions, reflecting the city's economic vitality and civic autonomy during an era of intermittent warfare.
Artistry: While the engraver remains anonymous, this Dichalkon exemplifies the robust Classical style prevalent in Thessaly. The obverse typically features a powerful depiction of a horse, often prancing or galloping, a direct homage to Pharsalos's legendary cavalry and economic backbone. This motif is rendered with keen understanding of equine anatomy and movement, characteristic of the region's artistic school. The reverse generally presents a simpler design, such as a helmet or grain ear, complementing the dynamic obverse.
Technical/Grading: Struck in bronze, this 18.0 mm Dichalkon, weighing 4.58 grams, presents typical challenges for ancient bronze coinage. Key high-points for the horse motif include the mane, musculature, and hooves, often the first areas to show wear or incomplete strike. Due to bronze flans and striking techniques, examples with full centering, a complete strike on both sides, and minimal surface corrosion are highly prized. Irregular flan shapes and off-center strikes are common, making sharply detailed specimens particularly desirable.