Catalogue
| Émetteur | Heraia |
|---|---|
| Année | 380 BC - 350 BC |
| Type | Standard circulation coin |
| Valeur | Dichalkon (1⁄24) |
| Devise | Drachm |
| Composition | Bronze |
| Poids | 3.12 g |
| Diamètre | 15 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | Peloponnesos#1361-1362 |
| Description de l’avers | Helmeted head of Athena right. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Large H with curved sides. |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND (380 BC - 350 BC) - - |
| ID Numisquare | 4339624330 |
| Informations supplémentaires |
Historical Context: This Dichalkon, issued by Heraia (380-350 BC), arises from a turbulent Late Classical Peloponnesos. The era saw declining Spartan power and rising Theban influence, with Arcadian cities navigating complex alliances. As a democratic polis, Heraia's bronze coinage fulfilled essential local economic functions, facilitating daily commerce and asserting civic identity. These issues were vital for internal trade, supplementing larger silver denominations during a period of regional flux.
Artistry: The design, by local die-cutters, reflects the Late Classical stylistic school. The obverse typically presents a dignified, diademed head of Hera, the city's patron deity, embodying classical idealization. The reverse commonly features an eagle with folded wings or a stag, symbols significant to local cult or fauna, accompanied by the ethnic HERA or HERAI. Though less refined than silver, the artistry conveys robust civic iconography, reflecting Heraia's distinct identity.
Technical/Grading: Struck on a 15 mm bronze flan, weighing 3.12 gg, this Dichalkon displays typical characteristics. High-points for the obverse deity's head include hair, diadem, and nose; for the reverse animal, the head and musculature. A well-struck example shows clear definition in these areas and a legible ethnic. Bronze issues often exhibit variable strike quality, potentially off-center or with minor flan imperfections. Stable patination is paramount for preservation and aesthetic appeal.