カタログ
| 発行体 | Sikyon |
|---|---|
| 年号 | 330 BC - 305 BC |
| 種類 | Standard circulation coin |
| 額面 | Dichalkon (1⁄24) |
| 通貨 | Drachm |
| 材質 | Bronze |
| 重量 | 3.64 g |
| 直径 | 16.0 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | BCD Peloponnesos#307.8 |
| 表面の説明 | Dove flying left |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Wreath within wreath |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (330 BC - 305 BC) - - |
| Numisquare ID | 4330696080 |
| 追加情報 |
Historical Context: This Dichalkon, issued by the prominent Peloponnesian city of Sikyon between 330 and 305 BC, places it within a period of profound geopolitical transformation. Following Alexander the Great's death, the Hellenistic world fractured under the Diadochi. Sikyon, renowned for its artistic contributions, navigated this turbulent era, balancing autonomy with increasing Successor influence. The issuance of this bronze denomination underscores the city's ongoing economic vitality and its need for localized small change, reflecting daily commercial transactions distinct from larger silver coinage.
Artistry: While specific engravers for Sikyon's bronze coinage from this period are largely unattributed, the city's esteemed artistic tradition, particularly its association with the sculptor Lysippos, undoubtedly influenced its numismatic output. Coins from this era generally exhibit the naturalistic and dynamic aesthetics characteristic of the early Hellenistic style. Though the specific design for this Dichalkon is not provided, one would expect a finely rendered representation of a local deity, mythological figure, or civic emblem, reflecting Sikyon's sophisticated artistic heritage and skilled die-cutting.
Technical/Grading: This bronze Dichalkon, weighing 3.64 grams and measuring 16.0 millimeters, falls within typical specifications for the denomination. For grading, key high-points to assess include the highest relief of any depicted facial features, hair, or prominent anatomical details. Technical strike qualities often vary on bronze issues; a well-struck example would exhibit full, clear details, minimal flan irregularities, and good centering, despite challenges of striking on smaller, less perfectly prepared bronze flans. Surface preservation, free from significant corrosion, is also paramount.