Dichalkon

Emitent Thessaloniki
Rok 187 BC - 31 BC
Typ Standard circulation coin
Nominał Hemiobol (1⁄12)
Waluta Drachm
Skład Bronze
Waga 5.73 g
Średnica 16 mm
Grubość 2 mm
Kształt Round (irregular)
Technika Hammered
Orientacja Medal alignment ↑↑
Rytownik(zy)
W obiegu do
Źródło(a) SNG ANS 7#770-2
Opis awersu Helmeted head of Athena, right
Pismo awersu
Legenda awersu
Opis rewersu Horse galloping right
Pismo rewersu Greek
Legenda rewersu ΘΕΣΣΑΛΟΝΙΚHΣ
(Translation: Thessalonika)
Krawędź Rough
Mennica
Nakład ND (187 BC - 31 BC) - -
ID Numisquare 1908413540
Dodatkowe informacje

Historical Context: This Dichalkon from Thessaloniki spans a critical period in Macedonian history, from 187 BC to 31 BC. Thessaloniki, a vital port city and regional capital, navigated the turbulent transition from Hellenistic independence to Roman provincial administration following the Macedonian Wars. Initially a free city, its strategic importance grew under Roman influence, becoming a major hub on the Via Egnatia. This coinage reflects the city's enduring economic activity and civic identity amidst shifting imperial powers, a testament to its resilience and continued self-governance in monetary affairs.

Artistry: The artistic execution of this bronze Dichalkon adheres to the prevailing Hellenistic stylistic traditions common in Macedonian urban centers. While specific engravers are rarely identifiable for such municipal bronzes, the designs typically feature local deities, allegorical figures, or civic symbols. Common obverse motifs include busts of gods like Kabeiros or Roma, while reverses often depict a ship's prow, caduceus, or other emblems signifying Thessaloniki's maritime trade and prosperity. The style emphasizes idealized forms and clear, if sometimes simplified, iconography.

Technical/Grading: Struck on a bronze flan weighing 5.73 grams and measuring 16 millimeters, this Dichalkon exhibits typical characteristics of Hellenistic provincial bronze coinage. High points for grading often include the facial features and hair on any obverse bust, or intricate details of reverse devices. Variability in strike quality is common; well-centered strikes with full flan coverage and clear rendering of both obverse and reverse motifs are prized. Flaws such as off-center strikes, weak areas, or minor flan imperfections are frequently encountered due to the production methods of the era.

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