Danh mục
| Đơn vị phát hành | Allobroges |
|---|---|
| Năm | 100 BC - 75 BC |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Denier |
| Tiền tệ | |
| Chất liệu | Silver |
| Trọng lượng | 2.27 g |
| Đường kính | 16 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | Variable alignment ↺ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | LT#2917, DT#3125 |
| Mô tả mặt trước | Helmeted head of Mars to right. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Hippocampus to right. |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (100 BC - 75 BC) - - |
| ID Numisquare | 4877790120 |
| Thông tin bổ sung |
Historical Context: Issued by the Allobroges, a powerful Celtic tribe of southeastern Gaul, this denier dates to 100-75 BC. This period represents a crucial phase of increasing Roman influence, following the Allobroges' earlier conflicts with the Republic. Their strategic location fostered a developed monetary economy, and the adoption of a Roman-inspired denomination like the denier signifies significant cultural and economic interaction, even prior to their eventual integration into the Roman province of Gallia Transalpina.
Artistry: The coin features a hippocampus facing right, a mythical sea-horse motif adapted from Greco-Roman iconography. Though the engraver is anonymous, characteristic of Celtic coinage, the stylistic school is distinctly Celtic. It exhibits the tribe's unique artistic interpretation, blending classical forms with indigenous abstract and curvilinear elements. The design would have been rendered with a dynamic, often simplified, yet powerful expression, showcasing the syncretic nature of Late Iron Age Celtic art.
Technical/Grading: Struck in silver, this denier measures 16 mm and weighs 2.27 grams, typical for contemporary Celtic issues. High-points prone to wear include the hippocampus's head, mane, and the intricate curves of its body and tail. Technical strike qualities often present characteristic irregularities: irregular flans, potential off-centering, and variable strike pressure. Such features, while common for the period, can lead to areas of weaker impression, yet the artistic intent typically remains discernible.