کاتالوگ
| صادرکننده | Habsburg-Laufenburg, Counts of |
|---|---|
| سال | 1190-1200 |
| نوع | Standard circulation coin |
| ارزش | 1 Pfennig |
| واحد پول | Pfennig (12th-15th century) |
| ترکیب | Silver |
| وزن | 0.37 g |
| قطر | |
| ضخامت | |
| شکل | Round with 4 pinches |
| تکنیک | |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | HMZ 1#1-114, Wielandt Lauf/Rhein#1 |
| توضیحات روی سکه | Rider galloping right inside pearl ring. |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Blank. |
| خط پشت سکه | |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1190-1200) - - |
| شناسه Numisquare | 2986540100 |
| اطلاعات تکمیلی |
Historical Context: Issued by the Counts of Habsburg-Laufenburg between 1190 and 1200, this Denier 'Vierzipfliger' represents a crucial period in the consolidation of regional power in the Upper Rhine. As a cadet branch of the nascent House of Habsburg, the Laufenburg line asserted its sovereign rights, including the vital privilege of coinage. This denier circulated in a dynamic economic landscape, reflecting the decentralization of monetary authority from imperial to local feudal lords, vital for burgeoning regional commerce and local transactions.
Artistry: The design of this Denier 'Vierzipfliger' adheres to the early medieval numismatic tradition, characterized by stylized, often abstract motifs necessitated by the small flan and rudimentary striking technology. While the engraver remains anonymous, typical for the era, the coin likely features a central cross or a geometric motif with four prominent points, giving it its distinctive name. The artistic execution, though simple, served primarily as a recognizable symbol of the issuing authority rather than a detailed portrait or elaborate scene.
Technical/Grading: Weighing a mere 0.37 grams of silver, this denier is inherently fragile and often exhibits irregular flans and varying strike quality. High-points for preservation would typically include the central elements of the 'Vierzipfliger' design, such as the apexes of the cross or geometric pattern. Due to the manual striking process, specimens frequently show off-center strikes, areas of weak impression, or minor double striking. Collectors should prioritize examples with a relatively full flan and discernible central design elements, despite common surface irregularities.