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| 正面描述 | Stylized depiction of a church or cathedral with a conical roof surmounted by a globus or pellet, set within a beaded inner circle. The structure features three arched openings at the base rendered in a Romanesque manner, with the overall design executed in the bold, schematic style characteristic of Ottonian coinage. The legend surrounding the inner circle reads ARGENTINA VOTO in uncial letters, referencing Bishop Uto and the city of Strasbourg (Argentina). The coin's irregular flan and characteristic hammered fabric are consistent with mid-tenth-century episcopal mint production. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | ND (950-962) |
| 附加信息 |
Uto III served as Bishop of Strasbourg from 950 to 965, and this denier falls within the years when Ottonian imperial authority was being aggressively consolidated across the German ecclesiastical territories. Otto I's decision to grant coinage rights to loyal bishops was a deliberate political instrument — binding the Church hierarchy to the crown through the profitable privilege of the mint, a policy that would define the Reichskirchensystem for generations. Strasbourg's position on the Rhine made its mint commercially significant, not merely symbolic.
The narrow date window here — closing at 962 with Otto's imperial coronation in Rome — is the anchor for attribution.