کاتالوگ
| صادرکننده | Echternach, Abbey of |
|---|---|
| سال | 1083-1110 |
| نوع | Standard circulation coin |
| ارزش | 1 Denier |
| واحد پول | |
| ترکیب | Silver |
| وزن | |
| قطر | |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | Variable alignment ↺ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | Kluge Kar#358 |
| توضیحات روی سکه | Bust on the right holding a crosier in a grenetis, legend around it. |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | DIEFRIDVS ABBAS |
| توضیحات پشت سکه | Bust with long braided hair in a grenetis, legend around it. |
| خط پشت سکه | Latin |
| نوشتههای پشت سکه | WILLIBRORDVS |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1083-1110) - - |
| شناسه Numisquare | 4519323470 |
| اطلاعات تکمیلی |
Historical Context: This Denier was issued by Abbot Thiofrid of Echternach (1083-1110). During his abbacy, Echternach, a prominent imperial monastery within the Holy Roman Empire, wielded significant spiritual and temporal power. Thiofrid's tenure coincided with the tumultuous Investiture Controversy. The abbey's right to mint coinage was a crucial symbol of its sovereignty and economic authority, enabling control over local commerce and projecting its standing amidst broader political upheavals.
Artistry: The coin's design, characteristic of early Romanesque numismatic art, reflects late Ottonian-Salian stylistic conventions. While the engraver remains anonymous, the artistry is functional. The obverse likely features a stylized bust, possibly Saint Willibrord or Abbot Thiofrid, rendered schematically. The reverse commonly displays a simple cross or an architectural element. Legends, though often crude, typically identify the abbot and the mint, Echternach.
Technical/Grading: Deniers of this period exhibit technical limitations inherent to early medieval minting. High-points, such as a bust's central features or cross arms, frequently show wear. Strike quality is typically irregular; broad, thin flans are common, often resulting in off-center strikes or partial legends. Weakness, particularly on the periphery or opposite the primary motif, is prevalent due to uneven hammer blows. The silver composition, while standard, could vary in fineness, and die wear is a common characteristic.