Katalog
| İhraççı | Liege, Prince-bishopric of |
|---|---|
| Yıl | 1048-1075 |
| Tür | Standard circulation coin |
| Değer | 1 Denier |
| Para birimi | Denier (975-1274) |
| Bileşim | Silver |
| Ağırlık | 0.65 g |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Dengis Liege#169, Dann Sa#234 |
| Ön yüz açıklaması | Diademed bust right, crozier in front. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı | DOMITIAN |
| Arka yüz açıklaması | Bust of Mary, nimbate. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1048-1075) - - |
| Numisquare Kimliği | 4550847470 |
| Ek bilgiler |
Historical Context: Théoduin, Prince-bishop of Liege (1048-1075), governed a significant ecclesiastical territory within the Holy Roman Empire. This denier, minted at Huy, reflects his temporal authority and the economic vitality of the region during a period of consolidation. Liege, a pivotal cultural and political center, issued coinage to facilitate local commerce and assert autonomy, a common practice for powerful prince-bishops. This piece provides a tangible link to Théoduin's administration and the socio-economic landscape of the Lower Lotharingian realm.
Artistry: The artistry of this denier, typical of mid-11th century coinage, exhibits characteristics of an emerging Romanesque style, likely executed by an anonymous local die-engraver. Designs are highly stylized, prioritizing symbolic representation over naturalism. Deniers of this era commonly feature a simplified bust of the bishop or a religious figure on one side, and a cross with the mint or bishop's name on the other, reflecting both spiritual and temporal power. The aesthetic leans towards robust, somewhat crude forms.
Technical/Grading: Technically, this silver denier, weighing a mere 0.65 grams, exemplifies the challenges of medieval minting. High-points susceptible to wear include the center of any cross design, the highest relief of a bust or crown, and the edges of legends. Strikes are frequently irregular, off-center, or feature flat spots due to uneven hammer blows and often worn dies. The small module and thin fabric mean that full details are rarely sharp, and planchet imperfections are common. Grading must account for these inherent production variances.