Catalogo
| Emittente | Bishopric of Basel |
|---|---|
| Anno | 1041-1055 |
| Tipo | Standard circulation coin |
| Valore | 1 Denier |
| Valuta | Pfennig (999-1122) |
| Composizione | Silver |
| Peso | 0.6 g |
| Diametro | |
| Spessore | |
| Forma | Round |
| Tecnica | Hammered |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | Michd Bâle#27 |
| Descrizione del dritto | Two `X` characters in fields around inscription. |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | O D |
| Descrizione del rovescio | |
| Scrittura del rovescio | |
| Legenda del rovescio | D T |
| Bordo | |
| Zecca | |
| Tiratura |
ND (1041-1055) - - |
| ID Numisquare | 9149249050 |
| Informazioni aggiuntive |
Historical Context: This Denier, issued between 1041 and 1055, hails from the Bishopric of Basel during the tenure of Bishop Theoderich. This period falls within the high medieval era of the Holy Roman Empire, specifically under the Salian emperors Conrad II and Henry III. The right to mint coinage, a significant imperial privilege, underscored the temporal power of the Prince-Bishops of Basel and solidified the city's growing economic importance as a vital trade hub along the Rhine. The coin serves as a tangible representation of episcopal sovereignty and regional authority.
Artistry: The anonymous engraver of this Denier worked within the nascent Romanesque stylistic tradition, characteristic of Ottonian and early Salian art. Designs from this period often exhibit a stylized, somewhat abstract quality rather than naturalistic representation. Typically, such coins feature a simplified bust of the bishop or a patron saint on the obverse, rendered with bold lines, while the reverse commonly displays a cross motif or the city's name, BASILEA, often in a somewhat crude, yet forceful, execution reflecting the era's aesthetic.
Technical/Grading: Struck in silver and weighing approximately 0.6 grams, this Denier's small flan often exhibits irregularities common to early medieval coinage. High-points for wear or strike quality would typically include the central features of any bust, the arms of a cross, or the lettering. Due to hand-striking methods, specimens frequently show off-center strikes, areas of flatness, or minor planchet cracks. A well-centered strike with full details on the primary devices and legible legends would be considered exceptional for this type, given the inherent challenges of its production.